RD - B Side
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"Sometimes meaningless gestures are all we have"

sexta-feira, fevereiro 09, 2007
Allen Daviau On Fearless

Allen Daviau’s next feature project, Peter Weir’s 1993 drama Fearless, remains one of his favorites. A life–affirming meditation on fate, the picture literally opens with a bang as an unscathed survivor of a horrific plane crash, Max (Jeff Bridges), walks away from the scene, transformed by the near–death experience.

Some of the picture’s most gripping sequences are flashbacks set aboard the doomed flight, filmed on a full–scale aircraft set built on a gimbaled rig high above the stage floor. “Purist that I am,” Daviau details, “I wanted virtually all the light to come from outside, through the small windows. Banks of Nine–lights above, below and straight into the windows gave us that realistic source and the moody, contrasty look. Also, subtle use of streams of liquid nitrogen propelled past the windows by air movers mottled the light source, adding to the feeling of movement.”

Combining Paul Babin’s handheld operating with a series of techniques to suggest a spinning, chaotic world outside the stationary set — ranging from simple painted backings to the Introvision front–projection process — Daviau brought a palpable sense of chaos to these scenes. “I now understand why Peter’s films have such incredible energy,” the cinematographer enthused to AC. “He distills the essence of the story. He creates a very open atmosphere where everyone is enthused about participating. In the end, it all came down to helping Peter tell a very intense and emotional story. I think it will leave the audience limp.”

posted by RENATO DOHO 7:15 AM
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